Thursday, April 3, 2008

Nigerian Music on Scale

As I grew up, I began to have taste, as in, I began to select music and songs that makes meaning to me, the ones that matters to me much. Though I liked some home made, I mean Music by Nigerian, I developed special link with international artist. Why I had to do this was the way foreign music is organize, especially US, when you listen you can easily identify a home made and a foreign one, the quality, organization and composition can. With all these at zero point may make you hate home made especially that time we used to play cassettes. It was so boring.

Thank God for the revolution, but before this let’s look a little back to the past. What kind of music made waves, how did it all start, what were the setbacks? Come with me…

I really want to focus much about Nigerian music, because that’s my motherland, don’t call it patriotism.

The music of Nigeria includes many kinds of folk and popular music, some of which are known worldwide. Styles of folk music are related to the multitudes of ethnic groups in the country, each with their own techniques, instruments, and songs. Little is known about the country's music history prior to European contact, although bronze carvings dating back to the 16th and 17th centuries have been found depicting musicians and their instruments.

Nigeria has been called "the heart of African music" because of its role in the development of West African highlife and palm-wine music, which fuses native rhythms with techniques imported from the Congo for the development of several popular styles that were unique to Nigeria, like apala, fuji, jùjú, highlife, and Yo-pop. Subsequently, Nigerian musicians created their own styles of United States hip hop music and Jamaican reggae. Nigeria's musical output has achieved international acclaim not only in the fields of folk and popular music, but also Western art music written by composers such as Fela Sowande.

Polyrhythms, in which two or more separate beats are played simultaneously, are a part of much of traditional African music; Nigeria is no exception. The African hemiola style, based on the asymmetric rhythm pattern is an important rhythmic technique throughout the continent. Nigerian music also uses ostinato rhythms, in which a rhythmic pattern is repeated despite changes in metre.

Nigeria has some of the most advanced recording studio technology in Africa, and provides robust commercial opportunities for music performers. Ronnie Graham, an historian who specialises in West Africa, has attributed the success of the Nigerian music industry to the country's culture—its "thirst for aesthetic and material success and a voracious appetite for life, love and music, [and] a huge domestic market, big enough to sustain artists who sing in regional languages and experiment with indigenous styles". However, political corruption and rampant music piracy in Nigeria has hampered the industry's growth. Thats a bad one in here. Its not a new thing, piracy and corruption, I dont think anyone will easily find any solution to these, if at all there will be any way out.

Stay put, more is coming...

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